©Sayaka Ganz

I've already spoken about a french artist, Edouard Martinet, who realizes wonderdul sculptures of animals using junk metal found in dumps.Take a look at the two following posts:

The man who blows life into junk metal
Edouard Martinet keeps blowing life into junk metal

This time it's the turn of artist Sayaka Ganz, that more or less do the same thing but with plastic scrap (however visiting her website you'll find metal sculptures too)


©Sayaka Ganz

The plastic sculptures measure from 18" to eight feet long and contain up to 500 pieces of junk.
Sayaka Ganz, 33, sorts everything plastic - from sunglasses and cutlery to baskets and cooking utensils - into 20 colour groups in her basement in Indiana, US.


©Sayaka Ganz

©Sayaka Ganz

©Sayaka Ganz

The artist working in her studio:


©Sayaka Ganz

This post started showing aquatic animals (hey guys this is still SeaWayBLOG!) because they're my favourite ones (especially the penguins plunging leaving the wakes)however obviously aquatic animals aren't her only subject
:


©Sayaka Ganz

©Sayaka Ganz

©Sayaka Ganz

©Sayaka Ganz

©Sayaka Ganz

©Sayaka Ganz

©Sayaka Ganz
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©DPA

One year ago, I wrote a post about the first Nude Sledging World Championship of Braunlage, a very small village in the mountains of Germany, and it now seems that this crazy sport competition is having a great success because for the second edition, which took place this weekend, 14000 people gathered in Braunlage as well as TV troupes and sponsors!
This is genuine fun.. let's hope that the success won't harm it like other bigger sport events... (ok... it's difficult... it's still about nude people sledging in the snow during winter!)


©DPA

©DPA

©DPA

©DPA

©DPA

©DPA

©DPA

©DPA

©DPA
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©Anatoly Beloshchin www.tecdive.ru

If looking at these pictures you've noted something odd it's normal.. You are looking at pictures that are clearly taken underwater but nevertheless it seems that a river is flowing some meters under the the divers. This is one of the most amazing places I've seen in my life, it's in Mexico and it's name is Cenote Angelita. The author of this pictures is Anatoly Beloshchin, an excellent underwater photographer whose pictures can be seen in his website tecdive.ru.


©Anatoly Beloshchin www.tecdive.ru

A cenote is a sinkhole with exposed rocky edges containing groundwater. It is typically found in the Yucatán Peninsula and some nearby Caribbean islands. The term is derived from a word used by the low-land Yucatec Maya to refer to any location where groundwater is accessible.


©Anatoly Beloshchin www.tecdive.ru

Looking at these pictures you clearly have the impression that the divers are flying over an autumnal landscape. These are the words of the photographer:
“We are 30 meters deep, fresh water, then 60 meters deep – salty water and under me I see a river, island and fallen leaves… Actually, the river, which you can see, is a layer of hydrogen sulphide.”



©Anatoly Beloshchin www.tecdive.ru

The river illusion is due to a phenomenon called halocline, a cline caused by a strong, vertical salinity gradient within a body of water. Because salinity (in concert with temperature) affects the density of seawater, it can play a role in its vertical stratification. Increasing salinity by one kg/m3 results in an increase of seawater density of around 0.7 kg/m
The Yucatan Peninsula contains a vast coastal aquifer system which is typically density-stratified. The infiltrating meteoric water (i.e., rainwater) floats on top of higher density saline water intruding from the coastal margins. The whole aquifer is therefore an anchialine system (i.e., one that is land-locked, but connected to an ocean). Where a cenote, or the flooded cave it is an opening to, provides deep enough access into the aquifer then the interface between the fresh and saline water may be reached. The density interface between the fresh and saline waters is a halocline, which means a sharp change in salt concentration over a small change in depth. Mixing of the fresh and saline water results in a blurry swirling effect due to refraction between the different density fresh and saline waters. The depth of the halocline is a function of several factors: climate and specifically how much meteoric water recharges the aquifer, hydraulic conductivity of the host rock, distribution and connectivity of existing cave systems and how effective these are at draining water to the coast, and the distance from the coast. In general, the halocline is deeper the further from the coast and in the Yucatan Peninsula this depth is 10 to 20 meters below the water table at the coast, and 50 to 100 meters below the water table in the middle of the peninsula, with saline water underlying the whole of the peninsula.
In Cenote Angelita as you get deeper the water turns from pure to salty; 30 meters deep the water is pure, 60 meters deep it becomes saline. Some meters before you get to the bottom of the cave, you see a river underneath, with trees and leaves floating on some liquid level. However it may seem like a river, it’s not a real river. It’s just a layer of hydrogen sulphide.

A video of this amazing place:
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©Guido Trombetta/Alinghi

I apologize for the lack of updates on SeaWayBLOG in the last few weeks but I've been involved with Alinghi team taking pictures of the long awaited 33rd America's Cup. If you haven't been lucky enough to be in Valencia and see what has been described as the "regatta of the century" between the two most amazing racing yachts ever, I hope you'll enjoy this gallery with the best pictures from Carlo Borlenghi, Luca Buttò and me.


©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Carlo Borlenghi/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Guido Trombetta/Alinghi

©Luca Buttò/Alinghi

©Luca Buttò/Alinghi

©Luca Buttò/Alinghi

©Luca Buttò/Alinghi

©Luca Buttò/Alinghi

©Luca Buttò/Alinghi

©Luca Buttò/Alinghi

©Luca Buttò/Alinghi

©Luca Buttò/Alinghi

©Luca Buttò/Alinghi
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